For the rock, I ended up deviating from the orthographs a little bit as I added extra pieces in. I started by dividing each part of the rock into separate pieces and modelling it in turn before combining the meshes towards the end so I could clean up the history and transformations. I'm unsure as to how to go about UV layouts for this model as it's somewhat complex but I hope to finish all of my UV layouts tomorrow if possible so I can begin blocking out colours and making a start on my matte painting.
Friday, 7 December 2018
What If Metropolis: Key Asset Modelling (Part 7)
For the rock, I ended up deviating from the orthographs a little bit as I added extra pieces in. I started by dividing each part of the rock into separate pieces and modelling it in turn before combining the meshes towards the end so I could clean up the history and transformations. I'm unsure as to how to go about UV layouts for this model as it's somewhat complex but I hope to finish all of my UV layouts tomorrow if possible so I can begin blocking out colours and making a start on my matte painting.
Subscribe to:
Post Comments (Atom)
-
Fig. 1: Theatrical release poster for Coco (2017). This review will be investigating Christopher Vogler’s and Carl Jung’s archetype...
-
Film/Animation: Making of: Lighting and rendering examples: Demo reels: About the project: Colourise centres around Kit, a human chil...
-
Fig. 1: Theatrical release poster for Treasure Planet (2002). Ron Clements and John Musker’s Treasure Planet (2002) is an animated s...
No comments:
Post a Comment